Tees Maar Khan 2010 *XCLUSIVE FULL Theaterical TRAILER FT* AKSHAY KUMAR

Name : Tees Maar Khan - 2010

Release Date : 24-Dec-2010
Parent Category : RomancBanner: Hari Om Productions, Three's Company, UTV Motion Pictures
Language: Hindi
Producer: Shirish Kunder, Ronnie Screwvala, Akshay Kumar
Director: Farah Khan

Star Cast: & Crew
Akshay Kumar...... Tabrez Mirza Khan
Akshaye Khanna...... Atish Kapoor
Katrina Kaif...... Anya
Raghu Ram
Rajiv Laxman
Arya Babbar
Anil Kapoor...... Special Appearance
Salman Khan...... Special Appearance
Cassettes and CD's on: T-Series
Editor: Ashmith Kunder
Costume: Aki Narula
Story / Writer: Ashmith Kunder, Shirish Kunder

Synopsis:

Only once in a blue moon is such a great criminal born who is fearless as well as shameless! Now is the blue moon and the great criminal is TEES MAAR KHAN. He steals cons and cheats all with such alarming audacity that even shame shies away from him! He and his gang comprising of Dollar, Soda and Burger have managed to keep the police, world over, on their toes. Then one fine day international antique smugglers, the Johri Brothers, assign Tees Maar Khan the BIGGEST CON JOB OF HIS LIFE! He must rob antiques worth 500 crore rupees from a heavily guarded MOVING TRAIN! Will Khan and his merry gang, with some unwitting support from his wannabe-actress girlfriend, Anya, and a greedy Bollywood superstar be able to pull off the greatest heist in history?

Movie Review: Baava

Telugu Movie Review: Baava

T

When you say Bava, one expects youthful and romantic
. But Rambabu's Bava fails to offer anything new. The difference between the two villages, the estranged brother and sister, their loss of love and the love story of their children in continuation - this is no novelty to the Telugu screen. Rambabu could not offer the impressive narration or gripping output expected of him. And as for Siddharth- another misplaced attempt for a break.

Veerababu (Siddhartha) is the over-pampered son of Sitaramudu (Rajendra Prasad), who falls in love with Varalakshmi (Praneetha). Soon after, Varalakshmi also finds herself falling for him. But their blossoming young love is in for a rude shock. As they explore their childhood, they discover that they might be closely related. When Varalakshmi's father gives her away to Ramana (Samrat) in marriage, the tensed lady-in-love asks Veerababu to keep his promise to her and do something. In a frenzied rage, he ties the knot and takes her to his home. The movie goes into a flashback as Sitaramudu reveals the truth: that they both are very close relatives and their marriage is indeed valid. But he tells Veerababu to marry her only in the presence of all her family members. Leaving Veerababu to convince Varalakshmi's father. Meanwhile, Ramana's father reveals the identity of Veerababu and gets him thrashed black and blue. The same treatment is meted out to Sitaramudu, when he tries to. Unfortunately enough, Sitaramudu die of humiliation. Now it is Veerababu's turn to get back his wife from that family? What steps does he take? Does Ramana give in?

Siddharth's performance is the highlight of the film. He maintains the lover boy image till the first half and in the second half delivers a matured performance. Rajendra Prasad also, once again gives an impressive performance. But it is Rajendra Prasad' character which ultimately lifts the spirit of the film. The episode at Annavaram, where the granny shows the way, is undoubtedly good work. Rajendra Prasad and Siddhartha share a good working chemistry. Praneetha as a debutant tried her best to give a nice performance. Ahuti Prasad, Viswanath Kasi, Tanikella Bharani, Samrat, and others also did justice to their roles. Camera work by Aravind Krishna is good to some extent.

Brahmanandam and Ali's attempt to entertain the audience with sickening comedy was in vain. Dialogues by Veera Pothana are average. KV Krishna Reddy's editing skills could have been sharper. Several boring scenes in the film could have been trimmed, especially in the second half. Music director Chakri gives some fresh tunes, but on the whole the audio score is pathetic. None of the characters have a good foundation. The screenplay goes haywire on several occasions.

Siddharth who has no big hits in the recent past banked heavily on Rambabu's 'Bava' but this film also failed to deliver. Though the first half is okay with a good run, the film turned out to be a dud.

ACTION REPLAYY MOVIE REVIEW

Bollywood Movie Action Replayy Review

Producer: Blockbuster Entertainment, Hari Om Entertainment, PVR Pictures
Director: Vipul Shah
Starring: Akshay Kumar, Aishwarya Rai, Aditya Roy Kapoor
Music: Pritam
Lyrics: Irshad Kamil
Genre: Comedy
Recommended Audience: General
Film Released on: 05 November 2010

As the lights dimmed in the cinema hall, I wondered how would Action Replayy be like. On the one hand, there’s a director like Vipul Shah who has had three back to back successes as a director – Aankhen, Waqt - The Race Against Time, and Namastey London; and a mixed London Dreams.

On the other hand, there’s Akshay Kumar, whose last couple of films have been disasters at the box office, namely Chandni Chowk to China, 8x10 Tasveer, and more recently, Khatta Meetha. But most of us movie buffs do know that Vipul Shah has always concocted a success formula with Kumar, even as producer, with his presentation of Anees Bazmee’s Singh Is Kinng also clicking at the ticket window. Now, Shah is back, and devises an unusual pairing of Kumar with Aishwarya Rai Bachchan, in a movie that promises entertainment, comedy and outstanding performances. With the music of the film doing very well and promotion being rock solid, does this Diwali entertainer succeed in winning the hearts of the audience?

Based on Shobhana Desai’s Gujarati play Action Replay, with very light traces of the 1985 Hollywood success Back to the Future, the movie is about Bunty (Aditya Roy Kapoor), who lives a disillusioned existence as a son of two parents – Kishen (Akshay Kumar) and Mala (Aishwarya Rai Bachchan) – who constantly squabble as a result of an arranged marriage which didn’t work out. This is why he keeps running from Tanya’s (Sudeepa Singh) repeated marriage proposals. One fine day – the day before his parents’ marriage anniversary – she takes him to her grandfather, Anthony Gonsalves’ (Randhir Kapoor) laboratory to convince him about their marriage, which is where Bunty discovers the time machine. After a severe spat between Kishen and Mala, Bunty runs back to the laboratory and steals the machine, going all the way back to 1975, with a mission to make his parents fall in love. Does he succeed?

Every movie needs a good story and screenplay, and this one has it all. With a well-penned story by Suresh Nair and Aatish Kapadia (also the writer of Waqt - The Race Against Time and the writer-director of Khichdi: The Movie), who has also supported Vipul Shah in the screenplay department, the movie’s narrative moves at a consistent pace – neither fast, nor slow – and the storytelling is pretty grounded for most of the first half. The comedy isn’t over the top, and ends up generating a bountiful dose of laughs. Kapadia’s dialogues are witty and creative. Direction by Vipul Shah is as usual, excellent. It’s a shame that his last sincere attempt at executing London Dreams was supported by an inconsistent screenplay, but this time, he’s back in form. As good as he is at handling the comic moments, he deftly executes the emotional scenes as well.

Technically, the movie tries to get it all right. The movie boasts of terrific production design, with art direction and set design by Aparna Raina and Anisha Gulati respectively. Be it the whole seventies look of Mumbai, or the laboratory, or even the set design for the Holi song – ‘Chhan Ke Mohalla’ – the movie gets it right. Cinematography by Sejal Shah is decent with tightly executed composition of shots, and the camerawork is smooth, supporting Shah’s visual support well. Amitabh Shukla’s edit is really good; especially to the shots in songs like ‘O Bekhabar’ and ‘Zor Ka Jhatka’.

Motion Graphics for the opening and closing titles are very impressive. The opening titles deserve special praise for setting a base to the thematic element of the film. Action by Allan Amin suits the theme. Visual effects are decent, but could have worked on a bit more. Sound design and audio post-production has been interestingly executed. The punch sounds as Kumar does his epic Eastwood-meets-Bollywood fight to save Yadav make the scene hilarious and literally transport you to the seventies, making for a decent spoof that’s not loud at all. The background score by Salim and Sulaiman bowl you over, and help in enhancing the varied set of emotions in the film. The music by Pritam is massy and the visuals totally support the songs produced; the notable ones being ‘I’m Dog Gone Crazy’, ‘Zor Ka Jhatka’, ‘O Bekhabar’, and ‘Chhan Ke Mohalla’.

Performance-wise, the movie hits bullseye with the casting. I’d like to start off with Aditya Roy Kapoor, who has given a fantabulous performance. This film will take him places, and his rise is inevitable. Akshay Kumar is usually the loudmouth nutcracker or the filthy rich over-excited person who’s usually on a sugar rush. But this time, he’s managed to restrain himself, by becoming an uncomely geek who needs a lot of change in presentation; and how! The best part about his collaborations with Shah is that despite having enough slice of comic timing, he manages to get a variety of roles. Even with his last Namastey London, he played a crushed lover to perfection. Here too, he has done very well, and has brought out a different side of him in a spew of repetitive roles in which the only time he strived to be different was in Blue.

Aishwarya Rai Bachchan looks like she’s on a roll! The tomboy role suits her to the T, and post her performance and the imminent success of Enthiran/Robot, it looks like this one’s taken the cake. Neha Dhupia is decent and does the seventies sharmilee act with ease, without making the spoof look loud. Sudeepa Singh is decent in her short role. Randhir Kapoor looks comfortable with his role; in fact with it good to see him on screen. Om Puri and Kirron Kher are hilarious and they handle their roles, however caricature-like, powerfully, which makes it difficult for us to ignore them. Rajpal Yadav is okay – in fact, he’s not funny here, as there are lods of other performers who get the comic timing better off than him. Rannvijay Singh is efficient.

What doesn’t work here then? The first half is a tad slow, and quite a few inches of the pre-intermission reels try to develop the character. But no sooner than Kapoor’s character gets transported into the seventies, the laughs, the drama and the fun starts, the movie becomes a ride. The climax too could have been written differently, though there’s nothing wrong with the present climax anyway. Other than that, the minuses are difficult to find.

Overall, the movie turns out to be a highly enjoyable romantic comedy with top-notch performances and terrific execution. Akshay Kumar is finally back with a bang in this potentially successful collaboration with Shah. Worth the watch!
Akshay Kumar Profile
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Allu Arjun and Sneha Redyy to have arrange marriage in coming months 

Allu Arjun - love with a Hyderabad girl - Sneha Reddy  Allu Arjun’s wedding news is a big shock to the female fans of Arjun.Sneha has completed her masters from the United state and daughter of Hyderabad Engineering College owner. The marriage between two is not love marriage, although Arjun and Sneha are not from same caste. The marriage proposal was acceptable by both the families. Both the families are decided to meet each other to talk about the nuptials, which will be arranged in the month of February next year.



ALLU ARJUN PROFILE

Face to Face with Allu Aravind ..Interview Video

Aishwarya Rai Interview

Chit Chat With Aishwarya Rai Interview

With the recently released Robo making waves, Aishwarya Rai talks about what it was like working for the second time with Shankar who directed her for Jeans and now Robo. As for sharing screen space with Superstar Rajinikanth, she says what struck her was his amazing humility. Aishwarya Rai looks forward to Action Replayy and Guzaarish which are releasing back to back

Excerpts from the interview:

You have three major films — Robo, Action Replayy and Guzaarish — releasing back to back.

It was fun for the last two years while the films were being made. For anyone, that's the most exciting time.

You are the only married actress today who has had a consistent career in Bollywood.

I would like say “thank you” but it won't be right to take delight alone in this compliment. There have been many actors who have continued to work after getting married in different decades. In recent times, it had become a preconceived notion that leading ladies would probably not work after marriage but I never paid attention to this even when I was single. I choose to be in films as a professional

With Rajinikanth playing the title role in Robo, do you have a substantial role?

When I work on a film I am not myopic about my role; I see the film in its totality. Of course, my part is important; as an actor I have to be excited about my role

What motivated you to sign on Robo?

First, it was an opportunity to work with Shankar sir and Rajni sir. So when I got an opportunity to work with both of them and on something as technically advanced as Robot, I was more than happy because my dates too could be worked out.

Was it difficult to romance a robo?

I'm kind of spoilt for choices in the film, you will have to see how things correlate and who I romance and who romances me.

What were your thoughts on robots before doing this film?

We have always been subjected to a particular imagery and stereotypical form like the ones shown to us by the toy stores.

Films with special effects have the actors enacting their roles in front of a green screen. Did you find that amusing?

Shankar had to explain lots of things during Jeans.. It was a first for me and it was fascinating. But over a period of time, I have done so many films where we have acted in front of a green screen.

What did you like best about working with Rajinikanth?

I have seen Rajini sir's work, I have read about it, and seen how enthralled his audiences are with what he does. It was amazing to see him do that everyday and do it so simply. He brings a smile to your face. I recognize him as a superstar. But as a person, he is so humble.
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